What is the Value of Broad Transcription?

This blog post is an open inquiry: what is the value of teaching broad transcription to actors these days? Every fall, I teach phonetics to my first-year acting students at Rutgers. Every fall, we go through the empty consonant chart, attempting to make each possible physical action – both voiced and unvoiced – in each individual cell. This physical exploration usually goes smoothly – sorting through the resulting consonant sounds as either familiar or unfamiliar depending on whether it’s a sound that actually occurs in some human language and on what languages my students speak – until we get to […]

Adding Insult to Investigation

One thing I think we’d like to do with this blog is share ideas for new and fun Omnish exercises. One of us will write a post soon sharing one or two that aren’t in the book. I have also found a need in my teaching, however, for some extra Outlandish exercises. I hesitate to introduce Omnish until my students are thoroughly grounded in the Empty Chart—in all the specific possibilities of obstruent action. But because the Bataan Death March through the Empty Chart can take up to five ninety-minute classes, I have a great need for fun things to […]